9.4.09
Working on PR Photos...
Another Visitor to the Studio...
I and Gonkar absolutely love this combination of smartly dressed Hobby and the East End London background.
Hobby is from the TAG Fine Arts, whose organization Gonkar works very close with.
Here is the information on the organization from the website;
TAG provides an outlet for working artists to exhibit and sell their work: acting as a support network for its stable, TAG offers advice regarding commissions within the trade; a hub, it proposes alternative exhibiting opportunities and a forum for broader critical discussion about contemporary art.
The selection criteria for artists wishing to join TAG is based on the proviso that they are working in a creative capacity in an alternative arts environment. TAG exhibits artists who take an integrated approach to their work crossing traditional boundaries and engaging with other creative disciplines, such as architecture, graphic design and fashion.
In this way, TAG promotes the vital role which contemporary visual art plays within today’s multi-disciplinary approach to the arts, and aims to foster new relationships and opportunities for its artists both in the UK and abroad.
As you can see, TAG is a very exciting and progressive art organization for artists to work with!Democratic Window to the "Art World"
Poetry Cafe in Covent Garden
On the ground floor you can enjoy lovely veggie meals, teas, coffee, and wines - and in downstairs, there's vibrant music performance and poetry readings taking place in most of the evenings.
On one evening I went to a Drumming, Singing, and Sappo's Poetry Reading night with my friends Michael and David. Though none of us were very familiar with this type of event, the space and people were very open and welcoming; despite the title of the night, we ended up having numbers of people from the audience coming up to the stage and reading their own poetries! which was very very lovely. It really is the one of the kind of "hub" you can find in London - open to anyone, open to creativity.
Poetry Cafe
http://www.poetrysociety.org.uk/content/cafe/
2.4.09
DEMONS AND D-ARTBOARDS - New Exhibitin at Rossi&Rossi
Shooting for the L'uomo Vogue
Last Friday at Gonkar's studio, we had a photo shoot for the upcoming L'uomo Vogue with a photographer Hugo Tillman and his assistant Jamie, as well as a stylist Sarah and her assistant Nicole. Please look forward to the finished works and interview article you will see - when the actual issue comes out next month!
Summer Show at the Royal Academy
24.3.09
New Comer from Berlin...
Mixing Up the Characters
It's always a pleasure to meet him and on Thursday, he has invited me to join his old friends Elena and David - both of them which wonderfully friendly and fascinating! As Elena works as a researcher and editor, and David as a African/Egyptian drummer, the night was full of rhythmical inter-exchange of ideas, memories, and excitement that we acquire out of our lives!
I love the dynamism that flows out of the conversations, each of our strong characters being mixed up in one pot of time - and I think I'm very lucky to be always surrounded by warm-hearted and inspiring people like them.
22.3.09
Meeting - London Asia Week
19.3.09
Portrait and Interview: L'Uomo Vogue
The issue will feature a selection of artists who will be exhibiting at the Venice Biennial 2009. And as other artists, Gonkar will be presented in a photography portrait in his studio, together with interview text on his page. The photo shoot and interview will be done by the middle of next month - looking forward to seeing published version of the issue lined up on book shop shelves!!
On Photography

MEMBER'S ROOM AT THE TATE MODERN. While the warm light of the Spring was shining thought the glass window, four writers (aka artists) got together to have a discussion on photography.
The meeting was on the next issue of Invisible Man Paper, edited by OKO GOTO and published by the photography gallery G/P in Tokyo. The discussion had mainly evolved around the idea of self-reflectivity, as one of the contributors PAUL O'KANE had recently been commissioned to write on the subject. The idea also fit nicely with the contributing photographer THIJS GROOT WASSINK's recent work "Don't Smile Now...Save it for Later!," where he takes a series of photographies by sitting inside of instant id photo machines with a mirror in his hands.
The issue consists of short texts on photography (Japanese/English) by four writers on one side, and a photo image by one photographer on the other side. Date of the release: TBA.
18.3.09
Interview Article Out Now
Taste of Spring!!! Salmon with Lemon Grass
Blue Horse on Reservation
Opera at Theatrical Theatre - Carmen at the Royal Albert Hall
The architecture of the Hall was spectacular as expected - which at the same time proposed a challenge to the actual performance not to be absorbed by the overwhelming venue, especially with the disadvantage of being very far away from most of the audiences! Also, it was very culturally specific experience to watch the passionate story line of the opera being performed in reserved accent of English, in the Victorian theatre.
Although it was very enjoyable experience and performance (including the brilliant singing and theatre arts), it is possible that the actual performance of the opera was rather drowned in the theatricality of the theatre - the Royal Albert Hall. As to the idea of works of art best seen in a white cube, an opera like this might have been best to be watched in a rather minimalist hall, or a hall that is culturally specific to the content of the opera, in this case, Spain.
13.3.09
The New Spitz in Dalston - AKIRA SAKATA / YUMI HARA CAWKWELL / CHARLES HAYWARD at Cafe OTO
Last night at the cafe was the gig of AKIRA SAKATA / YUMI HARA CAWKWELL / CHARLES HAYWARD. To witness the performance of extraordinarly talented musicians was ABSOLUTELY AMAZING!! All the acts were inprovised, totally one-off with mixture of free-jazz, Japanese traditional Utai (a type of singing), and progressive dramming - you cannot possibly categorize the performance into a certain type of music. It was BEYOND the boader of "EXPERIMENTAL" sound.
*this post will be later on updated with interviews of the performers.
Pictures for Domestic Sphere
What is so unique and interesting about this galley is that they specialise in Contemporary paintings and photographies that can be hang on the wall of houses. Well, yes, it might not sounds as unique - any paintings and photos could be hang on the wall of any premises.
However, in the minutes you walk into the gallery, you realise that the style of curation is definitely different from other major Contemporary Art galleries whose common style is very much of minimalist - works of art curated in a "white cube". At the Stephanie Hoppen, pictures are curated alongside with antique furnitures and flower vases, which does create a homely atmosphere. When you actually go up stairs to view some more works, you feel like you are visiting someone's home.
Here at the Stephanie Hoppen, Art is not something autonomous - it is rather something that can be part of your everyday life at home, as part of everything else.
*One of the Stephanie Hoppen's books on art and photography at home is Picuture Perfect.
She is also taking a part at the London Design Week 2009 (15-20th March), and signing copies of her new book Perfect Curtains.
12.3.09
Upcoming Press Exposures...
10.3.09
Renovating the Web Sites
*The place where we had the meeting is Saf Restaurant in Shoreditch, whose botanically focused menu is "London's first and finest."
* I would also like to thank Hana, an illustrator who is a very good friend of mine and is a wife of Tim, for introducing us to the fine works of Tim.
Gifts from Tibet...
Insides are Barley Flour and Yack Meat.
Apparently, Barley Flour (photo below) is commonly used to make porrige in the morning (instead of oat.)
And the dried Yack Meat (photo below) - which I never ever had before - is common daily Tibetan staple eaten as a snack. As the yacks are grown freely in the wild land, they are organic too.
It still felt quite hard, and tastes very...WILD!! (i.e.taste of red meat, full of blood and energy.haha)
You would certainly maintian your teeth very healthy and strong too, if you grew up chewing this "snack" every day.
And having thought about the fact that elderly people in Tibet still go to Pilgrimage for two hours every morning (= walking on the MOUNTAIN for TWO HOURS EVERY MORNING), together with these diets, there's no wonder why they have a very long and strong lives in Tibet!
6.3.09
By the way....(Arts TV Production)
Although, one of the big differences between the two programmes is that while the latter is audience participant type & community focused, the former is not.
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Also, for understanding of the British history of Arts TV production & relations, Art of Arts TV (last autumn’s BBC FOUR programme series – no longer available on the iPlayer but can still be watched in the Goldsmiths College Library) is very useful.
“X-factor in Art”: Reality Art Show on BBC Two
On Saturday early evening when I was on my way back from work, reading a weekly company newspaper that I got from my boyfriend, I found out that there will be a new “reality art show” with Charles Saatchi coming up on BBC Two this autumn.
The article on ariel (written by Claire Barrett) starts with the following statement that was made by Francis Bacon:
“[A]rtists aren’t born [;] they need to meet the right people”
Having used to discuss about this controversial idea quite passionately with my friends when I was in an ”
The idea is that in the University class room, we have studied the canonical idea of the figure of artist being represented or recognized as a genius, and yet later on realised that it can actually be a matter of who you know rather than just what you produce in the reality outside the class room that will define the future of an artist – it was a question of nurture or nature, or a matter of having the both to be come an “Artist” with the big capital “A”.
The central idea of this upcoming programme Saatchi’s Best of British is to invite Charles Saatchi as the key figure to pick up 6 amateur artists, and to nurture the talent (and people connection, possibly) for over 3 months at a specially created Art School where the artists will be enrolled into.
The interesting point is that Saatchi will not appear directly in front of the camera – rather, “We see him as a kind of Charlie figure from Charlie’s Angels,” giving suggestions and opinions to the artists as well as tutors who will be mentoring the students. In other words, here, Saatchi is almost presented as a God like figure. With the image of Saatchi as an art dealer being synonymous to the image of success in Art, the artists’ success seemed to be guaranteed with the blessing of the God of Art World Saatchi.
In the art theory class I used to attend, what mattered was more of the figure of artists themselves being genius or God/des like. However, the history might have slightly shifted its spotlight to the dealers with God/des like talents as well as (social & financial) authority, and of course, a great passion for Art.
*Saatchi’s Best of British; Entry to the competition is open to any
*The Press Release from the BBC can be read from here.
4.3.09
Banksy on Sale - Urban Art at Bonhams
Tuesday 24 February 2009
New Bond Street
http://www.bonhams.com/cgi-bin/public.sh/pubweb/publicSite.r?sContinent=EUR&screen=Urbanart
The auction had far more relaxed atmosphere and setting than the Contemporary Evening Sale at Sotheby's, which I and my friends have attended earlier on the month (Some of the starting prices as low as 500 pounds).
Main pieces were that of Banksy, with his "Anarchy Rat" (below, estimated price £30,000 - 50,000 according to the Bonhams) loudly printed on the cover of the evening's catalogue.
With increasing number of buyers and collectors (some of which buying for their children's bed room!), have the political claims of "street art" made a success of leaking into the social arena where their voice should be heard the most?
*The last image was taken from the Bonhams web site for non-commercial purposes.
All the other photos are taken by myself otherwise it is stated.